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The Lion in Winter: A Comedy in Two Acts, by James Goldman
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Comedic Drama
Characters: 5 male, 2 female
King Henry II of England has three sons by Eleanor of Aquitaine: Richard, Geoffrey, and John. He wants the kingdom to stay united after his death, but all three sons want to rule and it is likely to be torn apart by revolution. Henry favors the youngest John, while Eleanor favors the eldest, Richard. Middle son Geoffrey hopes to play both ends against each other and come out on top. Henry would like to have another heir by his mistress Alais, but that would only add to the confusion. Uneasy is the head on which the crown lies, and uneasy the truce between a matchless king and queen. Often revived, this play was the basis of the Oscar-winning film which starred Peter O'Toole and Katharine Hepburn.
"A work of intelligence, astringent wit, and much theatrical skill."-The New York Times
- Sales Rank: #768248 in Books
- Published on: 2011-01-21
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .19" w x 5.00" l, .24 pounds
- Binding: Paperback
- 92 pages
About the Author
JAMES GOLDMAN’ s screenplays include "Nicholas and Alexandra, Robin and Marian, "and "They Might Be Giants," He wrote the book to the musical "A Family Affair" (with John Kander), as well as the librettos of "Follies" and "Evening Primrose," both with scores by Stephen Sondheim. He died in 1998.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Plantagenet family Christmas
By Mr. Joe
"For these ten years you've lived with everything I've lost and loved another woman through it all. And I'm cruel. I could peel you like a pear and God would call it justice ..." ‒ Eleanor to Henry
"I won't trade off Alais or the Aquitaine to this ‒ this walking pustule. No, your loving son will not." ‒ Richard to Henry, regarding John
"If you're a prince, there's hope for every ape in Africa." ‒ Geoffrey to John
"You're a cold and bloody bastard, you are, and you don't love anything." ‒ John to Henry
"(Think of you) much? I don't think of you at all." ‒ Henry to Geoffrey
"Who can forget his Roquefort smile, his absent brow, those apey eyes, that spoon-edged mind. Why him? Why him and never me?" ‒ Richard to Henry, regarding Henry's recently deceased eldest son
"We could tangle spiders in the webs you weave." ‒ Richard to Eleanor
"Well ‒ what shall we hang? The holly or each other?" ‒ Henry to his family
"If I decided to be trouble, Henry, how much trouble could I be" ‒ Alais
"One time, when I was very small, I watched some soldiers take their dinner pig and truss it up and put the thing, alive and kicking, on the fire. That's the sound I'm going to hear from you." ‒ Philip to Henry
The magnificent 1968 film The Lion In Winter, starring Peter O'Toole and Catherine Hepburn, is my forever favorite film. And the 2003 remake (The Lion in Winter) starring Patrick Stewart and Glenn Close is a close runner-up. Why? Because of the crackling dialogue delivered at a whiplash pace. Forget the visual part of the film; I can just listen to the audio over and over and over.
This small paperback is the original script for the stage version originally presented in 1966. It contains all of the dialogue of both (nearly identical) screenplays ‒ and a little more. The latter were edited slightly from the original to make for a tighter presentation, if such is possible.
Herein, the time is December 1183. Henry II, the King of England and overlord of Ireland, Scotland, Wales, and half of France ‒ the first English monarch of the Plantagenet dynasty ‒ is holding his Christmas Court at his royal castle in Chinon, France. Joining him to bicker over the succession ‒ a decision made critical by the death of his eldest son, Henry the Young King, the previous June ‒ are his Queen, Eleanor of Aquitaine, and his sons Richard, Geoffrey and John. Henry favors the youngest for the throne, John. Eleanor favors the eldest, Richard. Geoffrey is favored by nobody but himself.
Complicating the season's festivities is the presence of King Philip II of France and his elder half-sister, Princess Alais, who had previously been betrothed to Richard by a treaty between Henry and King Louis VII, the biological father of both Philip and Alais. However, the princess has been Henry's mistress for several years while Eleanor has been shut away in a bleak English castle (Salisbury Tower) for leading a rebellion against her husband ten years before.
It's a warm and fuzzy coming-together. No need then for the dysfunctional Thanksgiving Day gathering of the clan as we celebrate it today.
Subtitled "A Comedy in Two Acts," this publication of the stage script by James Goldman includes set/scene designs for Philip's Room, Eleanor's Room, Hall, Cellar, and Henry's Room. (There's also a design for "Phetre's Room." Who the hell is Phetre? What am I missing?) And the script's dialogue is peppered with notations as to the actors' movements and positions on each set.
Presented on stage (as I saw it several weeks ago), THE LION IN WINTER is indeed a comedic drama; it elicits many laughs from the audience members as the actors naturally play to them. The films, on the other hand, especially the 1968 version, are much darker. Ambition and treachery are a serious and potentially deadly mix in 1183.
Do yourself a favor. Read or attend the play; see the movies. Most definitely view the O'Toole/Hepburn production (for which the latter won an Academy Award).
"Well, what family doesn't have its ups and downs?" ‒ Eleanor
0 of 0 people found the following review helpful.
Solid acting edition
By RonAnnArbor
Solid acting edition from Samuel French. Includes set designs from the Broadway show in the back of the book though they are hard to figure out. Note that this impression is the same old bad typeface that Samuel French has used in all of their acting editions since the world began so it does not have a clean modern typeface.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Best dialogue play maybe of all time
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