Sabtu, 31 Oktober 2015

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  • Sales Rank: #2158739 in Books
  • Published on: 2005
  • Number of items: 1
  • Binding: Paperback

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  • Sales Rank: #6735605 in Books
  • Original language: English
  • Dimensions: 9.21" h x 1.18" w x 6.06" l, 1.21 pounds
  • Binding: Paperback

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0 of 0 people found the following review helpful.
You are unburdened by destiny
By EA Solinas
C. Robert Cargill's debut novel "Dreams and Shadows" was one of my favorite urban fantasy novels of recent memory -- a tale of two young men touched by magic in a world of strange, dangerous magical creatures.

But with Ewan pushing up daisies now, I found myself curious about how Cargill's sequel would turn out. The answer: "Queen of the Dark Things" is a lot like its magically-adept protagonist Colby -- dark, witty, and riddled with a weird, dark, menacing underworld of supernatural beauty and oddity. This story is far more intimate than its predecessor, but it still has a complex narrative and some genuinely spooky antagonists.

Six months have passed since Ewan's death. Colby has driven the denizens of the Limestone Kingdom from Austin, disposes of dangerous creatures (like La Llorona) when he isn't drinking in the company of angels and djinni... and inadvertently runs afoul of the beautiful blonde goddess of Austin. Still grief-stricken over his only human friend's death, he wants to be left in peace. But he's a powerful wizard, so... no, he's not going to get that peace.

Ten years ago, during a trip to Australia, Colby met a little girl named Kaycee, who used dreamwalking to escape her lonely, sad life. But when a band of kutji (ghostly pirates) destroyed her body and her life, she became the Queen of the Dark Things.

And now she's coming to Austin, filling everyone and everything there with fear -- including Colby, who may not be able to triumph against her. With her come the kutji, the Seventy-Two and a vast web of demonic conspiracy that has spread through the centuries... and ends with the Queen seeking revenge on everyone who has hurt her. And since Colby is an integral part of this conspiracy, he may not survive what is coming to Austin.

One of the best things about "Queen of the Dark Things" is the wealth of supernatural creatures and entities, which are so many and varied that it gives the whole story an epic feel. Coyote, a djinn with a junk shop, demons, an alcoholic angel, a genius loci, the Clever Man, horse-faced demons and of course, the Queen herself -- not only is there a lot here, but Cargill gives the impression that there is a whole epic world out there that we have only seen shreds of.

And Cargill's writing is powerful and rich, with silken sweeps of magical imagery that can be incredibly disturbing (Wade's suicide because of the kutji) even as they are beautifully written ("a wrinkled prune wrapped around yellowed, mossy teeth and embers peering through clawed-out sockets"). And it's written in a dark, wry way reminiscent of Neil Gaiman or Jim Butcher at their best, with the world-weary Colby navigating his everyday life with his talking golden retriever. Yes, he has a talking dog, but it's played remarkably straight.

The book's biggest flaw is that it becomes top-heavy with exposition sometimes. Not only is there a pseudo-academic essay on folklore every few chapters, but the entire chapterlong scene with Orobas is non-stop exposition about everything Colby couldn't find out any other way.

Colby himself is still a fascinating and intriguing character -- he's self-destructively mopey over the loss of Ewan, getting drunk and passing out in fields. He's a likable guy because, despite his ruthlessness, he is still a good and caring person who wants to protect innocent people. The Queen is his opposite -- she is ruthless with the blind confidence of a child, with the twisted, festering resentment that has been building up for the last eleven years. Despite her cruelty, it's impossible not to feel sorry for her because of all the horrors he's experienced -- and there's no possible way her story can end without breaking your heart.

"Queen of the Dark Things" slows itself down with lots and lots of exposition, but the richless of C. Robert Cargill's world and his battered wizard anti-hero still make it a compelling read. And honestly, I'm dying to see what happens for Colby next.

0 of 0 people found the following review helpful.
You are not obliged to read this book, but it's better if you do.
By Conor Barry
Cargill has done it again!

The Queen of Dark things, squeal to 'Dreams and Shadows', has managed to not only maintain the pace and energy of the first book it has improved upon the story smoothly. With more characters and sub categories of Supernatural beings introduced.
Colby Stevens, our protagonist is faced with some difficult decisions and the list of people he can rely on is dwindling. Since events which occurred at the end of 'Dreams and Shadows' Colby has found it difficult to move on and maintain a level head.
The results of his actions are three fold and unfold seamlessly in the second and hopefully not the last instalment from C.Robert Cargill.

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Senin, 26 Oktober 2015

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45 Seconds from Broadway (Neil Simon), by Neil Simon

Comedy

Characters: 6 male, 6 female

Interior Set

From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they lose. This touching valentine to New York offers great acting roles as Neil Simon continues his exploration of the foibles and funny in the human comedy.

  • Sales Rank: #610102 in Books
  • Brand: Brand: Samuel French, Inc.
  • Published on: 2011-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .19" w x 5.00" l, .21 pounds
  • Binding: Paperback
  • 90 pages
Features
  • Used Book in Good Condition

About the Author
America's most prolific and beloved playwright, Neil Simon is the author of more than two dozen plays and screenplays. In 1990, he was awarded the Pulitzer Prize. He is also the winner of three Tony Awards. Simon splits his time between New York and Los Angeles.

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3 of 3 people found the following review helpful.
Another classic comedy from Neil Simon of "The Odd Couple" fame.
By Robert A. Scala
Written in the late 90's, years after Simon's enormous successes in theater and film, "45 Seconds from Broadway" is a semi-autobiographical account of Neil Simon and his brother. "45 Seconds" is not as good as all those earlier gems, but it represents a writer as he closes his writing career and will not disappoint.

1 of 1 people found the following review helpful.
vintage Neil Simon
By grandmanene
I was actually in this play. It is vintage Neil Simon - lot's of one liners and an interesting bunch of characters but hardly any plot and the little plot there is is completely improbable and idiotic. It got laughs but not really worth the price of a ticket.

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  • Sales Rank: #13605356 in Books
  • Brand: Brand: 77 Rogue Letters
  • Published on: 2009-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .14" w x 6.00" l, .22 pounds
  • Binding: Paperback
  • 60 pages
Features
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Minggu, 25 Oktober 2015

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  • Sales Rank: #3803581 in Books
  • Published on: 1980-01-01
  • Released on: 1980-01-01
  • Number of items: 1
  • Binding: Paperback

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Sabtu, 24 Oktober 2015

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  • Sales Rank: #10230569 in Books
  • Published on: 1978
  • Format: Import
  • Original language: English
  • Binding: Hardcover
  • 288 pages

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Kamis, 22 Oktober 2015

# Download Dangerous Visions (SF Masterworks)From Brand: Gollancz

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Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison's 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards - not surprising with a contributors list that reads like a who's who of 20th-century SF:

Evensong by Lester del Rey * Flies by Robert Silverberg * The Day After the Day the Martians Came by Frederik Pohl * Riders of the Purple Wage by Philip José Farmer * The Malley System by Miriam Allen deFord * A Toy for Juliette by Robert Bloch * The Prowler in the City at the Edge of the World by Harlan Ellison * The Night That All Time Broke Out by Brian W. Aldiss * The Man Who Went to the Moon - Twice by Howard Rodman * Faith of Our Fathers by Philip K. Dick * The Jigsaw Man by Larry Niven * Gonna Roll the Bones by Fritz Leiber * Lord Randy, My Son by Joe L. Hensley * Eutopia by Poul Anderson * Incident in Moderan and The Escaping by David R. Bunch * The Doll-House by James Cross * Sex and/or Mr. Morrison by Carol Emshwiller * Shall the Dust Praise Thee? by Damon Knight * If All Men Were Brothers, Would You Let One Marry Your Sister? by Theodore Sturgeon * What Happened to Auguste Clarot? by Larry Eisenberg * Ersatz by Henry Slesar * Go, Go, Go, Said the Bird by Sonya Dorman * The Happy Breed by John Sladek * Encounter with a Hick by Jonathan Brand * From the Government Printing Office by Kris Neville * Land of the Great Horses by R. A. Lafferty * The Recognition by J. G. Ballard * Judas by John Brunner * Test to Destruction by Keith Laumer * Carcinoma Angels by Norman Spinrad * Auto-da-Fé by Roger Zelazny * Aye, and Gomorrah by Samuel R. Delany

Unavailable for 15 years, this huge anthology now returns to print, as relevant now as when it was first published.

  • Sales Rank: #139187 in Books
  • Brand: Brand: Gollancz
  • Published on: 2012-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 1.50" w x 5.00" l, 1.06 pounds
  • Binding: Paperback
  • 688 pages
Features
  • Used Book in Good Condition

Review
Dangerous Visions is a landmark in science fiction, one that can proudly stand against those literary snobs who look down their nose at the genre -- Antony Jones SFBOOKREVIEWS blog

About the Author
Harlan Ellison is a multiple HUGO and NEBULA AWARD winning writer and editor. He wrote the script for the hugely popular STAR TREK episode, The City on the Edge of Forever, the NEBULA AWARD-winning novella, A BOY AND HIS DOG, and many acclaimed stories including 'Shatterday' and 'I Have No Mouth and I Must Scream'. His groundbreaking anthology DANGEROUS VISIONS was instrumental in defining the New Wave movement. Harlan Ellison lives in Los Angeles.

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44 of 46 people found the following review helpful.
Influential and Still (Mostly) Revolutionary
By doomsdayer520
This classic anthology of speculative fiction (a deeper form that standard sci-fi) deserves the praise and influence it has enjoyed since 1967. These stories were indeed dangerous for their era, and most of them have proven to be well ahead of their time, retaining the power of expanding your literary horizons even today. Some of these stories are downright shocking - including the submissions from Miriam Allen deFord, Robert Bloch, and Carol Emshwiller. Others are bizarre to the point of great insight - like the stories from Brian W. Aldiss, Larry Eisenberg, and Norman Spinrad. Others have the great social commentary and human drama that most sci-fi writers would kill to be capable of - especially the submissions from Frederick Pohl and Howard Rodman.
The true key to this compilation is the editing work of Harlan Ellison, whose sarcastic and caustic personality shines through almost every page, even though he only wrote one of the stories himself. (That isn't self-glamorization, because his submission is an endorsed sequel to Bloch's story.) Ellison's introductions to each story combine the best in praising and roasting, and he certainly located many fascinating writers. Here we can see up-and-comers who later went on to greater things, along with intriguing unknowns who encourage where-are-they-now speculation. Another groundbreaking aspect of this collection is Ellison's use of afterwords by each author to comment on their own stories. This is usually successful except for a few cases of self-aggrandizement by the writers, and at least one attempt to explain a sub-par story (J.G. Ballard). Aside from a few minor clunkers, there is just one story that may have once been dangerous but is now a flop. That's the 70-plus-page novella from Philip Jose Farmer, which has aged wretchedly with an overload of creaky 60's politics and an unreadably faddish writing style. That's about the only story here that's not still capable of opening new horizons all these decades later.

24 of 25 people found the following review helpful.
The Original Classic Of "Transgressive" Science Fiction
By Art Turner
Say what you will about Harlan Ellison, but you've got to admit he's got great taste.
I was lucky enough to this up for a measly $.75 at a local used bookstore. Believe me, it was money well spent.
There are a few duds in this collection (doesn't every anthology have some?), but they are by far outweighed by the gems. Some examples of the latter: the outrageous Joycean wit of Philip Jose Farmer's "Riders Of The Purple Wage", the dream-like beauty of Carol Emshwiller's "Sex And/Or Mr. Morrison", John Sladek's shockingly prophetic "The Happy Breed", and Kris Neville's Salingeresque humor in "From The Government Printing Office".
If you like science fiction, or just enjoy well-crafted stories, by all means - seek this out.

18 of 18 people found the following review helpful.
Most Influential SF Anthology Ever.
By Haplo Wolf
Too many good and great stories in this one to list in this review. Keep in mind that these were original stories which were never before published. A rare phenomena indeed for SF. Often, it turns out that only a small portion of the yearly writings in the SF field is good. It was a time of changes back then. Many daring, not before tolerated ideas.
At the time these stories were written they were considered _dangerous_. They remained dangerous for a long time and when I read them in these days I can see why. Innovating and shocking they still are, well some of them. A great read and necessary reading for SF lovers.
This book has also useful for-and afterwords.
Lately, many o.o.p. books are instilled with new life, but I don't think this will be available long. It can't hurt to have a bit of a history of SF on your shelves. However, it remains a period book. Some dated stories, but always interesting.
No SF library is complete without it.
One other reviewer mentioned some favorites. The Bloch story is tremendously fun to read. As is the PKD story.
Good reading here.

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^ Ebook Download The Importance of Being Earnest: A Play in Three Acts (Actor's Edition), by Oscar Wilde

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The Importance of Being Earnest: A Play in Three Acts (Actor's Edition), by Oscar Wilde

Oscar Wilde

Full Length, Farce comedy

Charcters: 5 male, 4 female

Exterior Set and 2 Interior Sets

This masterpiece is probably the most famous of all comedies. It revolves wittily around the most ingenious case of "manufactured" mistaken identity ever put into a play.

  • Sales Rank: #1327862 in Books
  • Published on: 2011-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .21" w x 5.00" l, .24 pounds
  • Binding: Paperback
  • 91 pages

From the Publisher
Designed for school districts, educators, and students seeking to maximize performance on standardized tests, Webster’s paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running thesaurus at the bottom of each page, this edition of The Importance of Being Earnest by Oscar Wilde was edited for students who are actively building their vocabularies in anticipation of taking PSAT®, SAT®, AP® (Advanced Placement®), GRE®, LSAT®, GMAT® or similar examinations.

PSAT® is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT® is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE®, AP® and Advanced Placement® are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT® is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT® is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.

About the Author
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Excerpt. © Reprinted by permission. All rights reserved.
Webster’s edition of this classic is organized to expose the reader to a maximum number of synonyms and antonyms for difficult and often ambiguous English words that are encountered in other works of literature, conversation, or academic examinations. Extremely rare or idiosyncratic words and expressions are given lower priority in the notes compared to words which are "difficult, and often encountered" in examinations. Rather than supply a single synonym, many are provided for a variety of meanings, allowing readers to better grasp the ambiguity of the English language, and avoid using the notes as a pure crutch. Having the reader decipher a word’s meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. If a difficult word is not noted on a page, chances are that it has been highlighted on a previous page. A more complete thesaurus is supplied at the end of the book; Synonyms and antonyms are extracted from Webster’s Online Dictionary.

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38 of 40 people found the following review helpful.
Stay away from Dover Thrift Version
By B Wo
The Dover Thrift edition is a highly abridged version. There are entire scenes and characters missing. And the ending is abruptly cut short. Spend the extra money on finding an edition with complete Oscar Wilde text.

0 of 0 people found the following review helpful.
Great Play. Get a different edition!
By OtherWeis
The poor review is for the edition and not the material. Avoid this Smith and Brown edition. As with many plays that are old enough to be in the public domain, there are numerous editions, some better than others. In fact, anyone with a Xerox machine can make their own edition of this play, and this is pretty close to that. This is the worst edition I have ever seen of a script. The formatting is ponderous and poorly done. Character names are barely differentiated from the text that they speak; Stage directions are often buried in the text with little to differentiate them. In addition, the text goes so close to the edges that one sometime needs to break open the binding just to read it. There is not introduction, no annotations, nothing of interest to make up for the fact that this edition is annoying to read. If this were the only edition available, that'd be one thing, but there are so many options. I went to a bookstore and picked up this edition:
The Importance of Being Earnest

It's fine. It's easy to read. It has introcutory material and other frills if you're into that sort of thing, and it's cheaper. Get that one or some other, not this one.

4 of 4 people found the following review helpful.
An in-depth presentation of the funniest play ever written
By Michael Birman
Oscar Wilde made his initial reputation as the master of the epigram: the trenchant and mordant, roughly haiku length flashes of insight into the comic absurdity of the world. No one in English Literature before or since has ever displayed such an effortless mastery of wit. "All women become like their mothers. That is their tragedy. No man does. That's his."

The Importance of Being Earnest not only flaunts Wilde's most inconsequential plot, it is also crammed with his funniest epigrams and wittiest bon mots. This 1895 three-act comedic tour-de-force was an immediate hit in London. The comic word-play was a sensation amongst audiences who flocked to see this brilliant manifestation of Wilde's epicene witticisms. Here was a glittering example of London's avant-garde in the 1890's. Much like the play Hair in the 1960's, it was a signature of the times that no self-respecting sophisticate could miss. Wilde enjoyed himself immensely during this apex of his fame. Unfortunately, his reputation was quickly eclipsed by the scandal that engulfed him and his work. It took several decades for that reputation to be rehabilitated. The Importance of Being Earnest seemed to float above the scandals, never losing its popularity and acquiring a theatrical life of its own as an absolutely iconic work.

This Norton Critical Edition contains an annotated version of the play as well as several brilliantly incisive articles. A few of the analysts engage in some scholarly hand-waving, trying to attribute a social commentary and literary symbolism to the play that may not exist. Some of it is quite funny, in fact. I can't help but think that Wilde would appreciate the irony of one critic portraying his comic depiction of the frequently agitated butler Lane as an assault on the English class system. Other articles are quite helpful, however. The essay by Camille Paglia is especially insightful with her brilliant analysis of Wilde's dramatic projection of an ambiguous sexual persona. It is a rare comic play that merits its own Norton Critical Edition. This is one of the few. If you love this play (and the hilarious 1951 Anthony Asquith film) as much as I do, this is the edition to have. Most strongly recommended.

Mike Birman

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# Get Free Ebook They're Playing Our Song, by Neil Simon

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Grammy and Academy Award-winning songwriter Carole Bayer Sager shares the remarkably frank and darkly funny story of her life in and out of the recording studio, from her fascinating (and sometimes calamitous) relationships to her collaborations with some of the greatest composers and musical artists of our time.For five decades, Carole Bayer Sager has been among the most admired and successful songwriters at work, responsible for her lyrical contributions to some of the most popular songs in the English language, including "Nobody Does It Better," "A Groovy Kind of Love," "Don't Cry Out Loud," and the theme from the movie Arthur, "The Best That You Can Do" (about getting lost between the moon and New York City). She has collaborated with (and written for) a dizzying number of stars, including Peter Allen, Ray Charles, Celine Dion, Bob Dylan, Neil Diamond, Clint Eastwood, Kenny "Babyface" Edmonds, Aretha Franklin, Whitney Houston, Michael Jackson, Carole King, Melissa Manchester, Reba McEntire, Bette Midler, Dolly Parton, Carly Simon, Frank Sinatra, and Barbra Streisand. Her relationship with composer Marvin Hamlisch was the basis of the long-running hit musical, They're Playing Our Song, for which she wrote the lyrics. And her work with composer Burt Bacharach, to whom she was also married for ten years, produced pop standards such as "On My Own" and "That's What Friends Are For" (inspired by her friendship with Elizabeth Taylor), which raised over two million dollars for AIDS research. But while her professional life was filled with success and fascinating people, her personal life was far more difficult and dramatic. In this memoir, Carole Bayer Sager tells the surprisingly frank and darkly humorous story of a woman whose sometimes crippling fears and devastating relationships inspired many of the songs she would ultimately write. They're Playing Our Song will fascinate anyone interested in the craft of songwriting and the joy of collaboration, but Carole Bayer Sager's memoir is also a deeply personal account of how love and heartbreak made her the woman, and the writer, she is.

  • Sales Rank: #2906964 in Books
  • Published on: 1998-12-31
  • Number of items: 1
  • Binding: Paperback
  • 81 pages

Review
Grammy and Academy Award-winning songwriter Carole Bayer Sager shares the remarkably frank and darkly funny story of her life in and out of the recording studio, from her fascinating (and sometimes calamitous) relationships to her collaborations with some of the greatest composers and musical artists of our time.For five decades, Carole Bayer Sager has been among the most admired and successful songwriters at work, responsible for her lyrical contributions to some of the most popular songs in the English language, including "Nobody Does It Better," "A Groovy Kind of Love," "Don't Cry Out Loud," and the theme from the movie Arthur, "The Best That You Can Do" (about getting lost between the moon and New York City). She has collaborated with (and written for) a dizzying number of stars, including Peter Allen, Ray Charles, Celine Dion, Bob Dylan, Neil Diamond, Clint Eastwood, Kenny "Babyface" Edmonds, Aretha Franklin, Whitney Houston, Michael Jackson, Carole King, Melissa Manchester, Reba McEntire, Bette Midler, Dolly Parton, Carly Simon, Frank Sinatra, and Barbra Streisand. Her relationship with composer Marvin Hamlisch was the basis of the long-running hit musical, They're Playing Our Song, for which she wrote the lyrics. And her work with composer Burt Bacharach, to whom she was also married for ten years, produced pop standards such as "On My Own" and "That's What Friends Are For" (inspired by her friendship with Elizabeth Taylor), which raised over two million dollars for AIDS research. But while her professional life was filled with success and fascinating people, her personal life was far more difficult and dramatic. In this memoir, Carole Bayer Sager tells the surprisingly frank and darkly humorous story of a woman whose sometimes crippling fears and devastating relationships inspired many of the songs she would ultimately write. They're Playing Our Song will fascinate anyone interested in the craft of songwriting and the joy of collaboration, but Carole Bayer Sager's memoir is also a deeply personal account of how love and heartbreak made her the woman, and the writer, she is. "Reads like a candid conversation over a bottle of Meursault on a breezy Bel Air night." -- Vanity Fair "Sager tenderly illustrates an insider's account of life behind the music....Sager's writing is comfortably conversational, and her stories are lovingly told." -- Publishers Weekly "While sensitively chronicling her numerous ups and downs, the author is generous in her sharing of the anecdotes behind the music. The narrative is breezy and accessible, with writing that plays to the strengths of her crisp sense of humor, deep attachment to music, and resonant lust for life." -- Kirkus Reviews "From the hit-prone Carole Bayer Sager comes this delightful and funny tell-all crammed with famous names and famous songs. Every few pages you'll say to yourself, `I didn't realize she wrote that.'" -- Steve Martin "Carole Bayer Sager is simply the finest. Having lived, loved and worked alongside gold standard major hitters like Marvin Hamlisch, Burt Bacharach, David Foster, and Peter Allen, she has had to be. Carole braids together lyrics the way Venus and Serena spin aces - repeatedly, miraculously - and this book is one of the best, most lasting songs she has ever written." -- Carly Simon "I thoroughly enjoyed this book. It is genuinely funny, and Carole's voice - bright, self-deprecating, but fearful and searching - comes through wonderfully well. The writing on Burt Bacharach is a highlight - really keenly observed - and the treatment of the depth of her despair over losing him is terrific." -- Bette Midler "Carole gives us a front row seat on the piano bench as she knocks out hit after hit with Marvin Hamlisch and Burt Bacharach, sits down with Bob Dylan in his barn, Michael Jackson in his studio, and Elizabeth Taylor on her bed (no, they didn't churn out a hit, just a deep friendship). This is a funny, fast paced, heartfelt book by an accomplished and glamorous woman who openly shares her journey with us." -- Candice Bergen

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Minggu, 18 Oktober 2015

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Doctor in the House, by Ted Willis

Comedy / 5 m., 4 f. / Int. Adapted from the novel by Richard Gordon about the off duty lives of a group of medical students, this play weaves their happy triumphs and brave failures, love affairs and parties into a many colored pattern. Several individuals confined under the same roof employ a blithe exterior to hide their hopes and fears, ineffectually concealing an underlying earnestness of purpose. The play provides a good variety of character parts: young men, some playboys, some serious; the college porter and the eccentric professor; the dragon matron; nurses pretty and dull; and the landlady extraordinary. FEE: $75 per performance.

  • Sales Rank: #3342960 in Books
  • Published on: 2009-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .27" w x 5.00" l, .32 pounds
  • Binding: Paperback
  • 128 pages

Review
‘A delightful book' (Sunday Times)

‘Uproarious, extremely iconoclastic' (CBS News)

About the Author
Richard Gordon is best-known for his hilarious 'Doctor' books and the long-running television series they inspired. Born in 1921, he qualified as a doctor and went on to work as an anaesthetist at the famous St Bartholomew's Hospital, before a spell as a ship's surgeon and then as assistant editor of the British Medical Journal.In 1952, he left medical practice to take up writing full time and embarked upon the 'Doctor' series. Many of these are based on his experiences in the medical profession and are told with the rye wit and candid humour that have become his hallmark. They have proved enduringly successful and have been adapted into both film and TV. His 'Great Medical Mysteries' and 'Great Medical Discoveries' concern the stranger aspects of the medical profession, whilst 'The Private Life' series takes a deeper look at individual figures within their specific medical and historical setting. Clearly an incredibly versatile writer, Gordon will, however, always be best known for his comic tone coupled with remarkable powers of observation inherent in the hilarious 'Doctor' series.'Mr Gordon is in his way the P G Wodehouse of the general hospitals' - The Daily Telegraph.'I wish some more solemn novelists had half Mr Gordon's professional skills' - Julian Symonds - Sunday Times

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0 of 0 people found the following review helpful.
Enjoy
By Amazon Customer chris s
Remember reading years ago. Still as enjoyable will look at the rest of series
Can see similar caracters in regards lofr

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Four Stars
By Amazon Customer
Wonderful for a medical student to find humour in this great work

9 of 9 people found the following review helpful.
Oh, what a fun book this was!
By meiringen
Dr. Gordon (a real doctor, by the way) tells us of medical school adventures at (the fictional) St. Swithin's Hospital in London. It's like a combination of "The Interns" and "Animal House," with lazy students (one who went to med school and failed four times just so he could keep receiving his grandmother's inheritance!), pub crawling, rugby, girlfriends, the horror of cramming for exams, and of the colorful characters (staff, patients, friends & assorted folks that drift in and out) that they come across in a typical crazy day. It's a book that had me laughing on nearly every page, and I can't wait to read the rest of the series.

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Order the sequel to the #1 New York Times bestselling novel Firefight today!

From the bestselling author of the Mistborn series and Words of Radiance comes Calamity, the final book in the #1 New York Times bestselling Reckoners series: Steelheart, Firefight, and Calamity.
    When Calamity lit up the sky, the Epics were born. David’s fate has been tied to their villainy ever since that historic night. Steelheart killed his father. Firefight stole his heart. And now Regalia has turned his closest ally into a dangerous enemy.
    David knew Prof’s secret, and kept it even when Prof struggled to control the effects of his Epic powers. But facing Obliteration in Babilar was too much. Once the Reckoners’ leader, Prof has now embraced his Epic destiny. He’s disappeared into those murky shadows of menace Epics are infamous for the world over, and everyone knows there’s no turning back. . . .
    But everyone is wrong. Redemption is possible for Epics—Megan proved it. They’re not lost. Not completely. And David is just about crazy enough to face down the most powerful High Epic of all to get his friend back. Or die trying.
 
Praise for the Reckoners Series:

#1 New York Times Bestselling Series

“The suspense is relentless and the climax explosive.” —James Dashner, #1 New York Times bestselling author of the Maze Runner series

“Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind
 
“Action-packed.” —EW.com
 
“Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

  • Sales Rank: #2399718 in Books
  • Published on: 2016-01-01
  • Original language: English
  • Dimensions: 9.17" h x 1.38" w x 6.10" l, .0 pounds
  • Binding: Paperback

Review
Praise for the Reckoners series:

#1 New York Times Bestselling Series

“The suspense is relentless and the climax explosive.” —James Dashner, #1 New York Times bestselling author of the Maze Runner series

“Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind
 
“Action-packed.” —EW.com
 
“Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

[STAR] “Snappy dialogue, bizarre plot twists, high-intensity action, and a touch of mystery and romance . . . leaves [readers] panting for the sequel.” —Booklist, Starred

“An absolute page-turner."”—Publishers Weekly

"A straight-up Marvel Comics-style action drama."—Kirkus Reviews

About the Author
Brandon Sanderson is the author of the #1 New York Times bestselling Reckoners series: Steelheart, Firefight, and Calamity, as well as the internationally bestselling books in the Stormlight Archive and the Mistborn trilogy. He was also chosen to complete Robert Jordan's The Wheel of Time series. His books have been published in more than twenty-five languages and have sold millions of copies worldwide. He lives and writes in Utah. To learn more about Brandon and his books, visit him at brandonsanderson.com and follow @BrandSanderson on Twitter.

Excerpt. © Reprinted by permission. All rights reserved.

1

 

 

The sun peeked over the horizon like the head of a giant radioactive manatee. I crouched, hidden in a tree of all places. I’d forgotten how weird the things smell.

 

“We good?” I whispered over the line. Instead of using mobiles, we were relying on old radios we’d rigged to work with headsets. The audio snapped and popped as I spoke. Primitive technology, but essential for this job.

 

“Wait a sec,” Megan said. “Cody, you in position?”

 

“Sure am,” crackled the reply, laced with a calm Southern drawl. “If anyone tries to sneak up on you, lass, I’ll put a bullet up his nose.”

 

“Ew,” Mizzy said over the line.

 

“We’ll move in five,” I said from my perch. Cody had called the contraption I was using a “tree stand,” which was really a glorified camp chair strapped some thirty feet up the trunk of an elm. Hunters had used them back in the day for hiding from game.

 

I put my Gottschalk--a sleek, military--style assault rifle--to my shoulder and sighted through the trees. Normally, in this sort of situation I’d be sighting on an Epic: one of the super-powered individuals who terrorized the world. I was a Reckoner, same as my team, dedicated to bringing down dangerous Epics.

 

Unfortunately, life for the Reckoners had stopped making sense about two months ago. Our leader, Prof, was an Epic himself--and had been caught in a rival’s intricate plot to find a successor. Consumed by his powers, he had left Regalia’s empire in Babilar, but had taken with him her hard drives, complete with notes and secrets. We intended to stop him. And that led me here.

 

To a large castle.

 

Seriously. A castle. I’d figured those were just in old movies and foreign countries, yet here one was hidden in the woods of West Virginia. And despite the modern metal gates and high-tech security system, this place looked like it had been around since long before Calamity appeared in the sky--lichen covered the stonework, and vines twisted up one of the weathered walls.

 

Pre-Calamity people had been weird. Awesome too--evidence: castle--but still pretty weird.

 

I looked away from my scope and glanced at Abraham, who was hiding in a nearby tree. I could pick him out only because I knew exactly what to look for. His dark outfit blended well into the dappled shades of morning, which was--our informant said--the besttime to assault this particular location: Shewbrent Castle, also known as the Knighthawk Foundry. The world’s primary source of Epic-derived technology. We’d used their weapons and tech to fight Steelheart, then Regalia.

 

Now we were going to rob them.

 

“Everyone have their mobiles off?” I asked over the line. “Batteries out?”

 

“You’ve asked that three times already, David,” Megan replied.

 

“Check anyway.”

 

They all gave the affirmative, and I took a deep breath. So far as we knew, we were the last cell of Reckoners. Two months in and we still had no sign of Tia, which meant she was probably dead. That left me in charge--though I’d gotten the job by default. Abraham and Cody had laughed when I’d asked if they wanted it, while Mizzy had gone stiff as a board and almost started hyperventilating.

 

Now we were putting my plan in motion. My crazy, foolhardy, incredible plan. Honestly, I was terrified.

 

My watch buzzed. Go time.

 

“Megan,” I said into my radio, “you’re up.”

 

“On it.”

 

I shouldered my rifle again, peering through the trees toward where Megan would launch her assault. I felt blind. With my mobile, I could have tapped into Megan’s view to follow her attack, or I could have at least brought up a local map and watched my teamrepresented as blips. Our mobiles, however, had been built and distributed by Knighthawk--who also maintained the secure network they ran on. Using those to coordinate an attack on Knighthawk’s own installation seemed about as smart as using toothpaste for salad dressing.

 

“Engaging,” Megan said, and soon a pair of explosions shook the air. I scanned through my scope andpicked out the smoke trails rising in the sky, but couldn’t see Megan; she was on the other side of the castle. Her job was to make a frontal assault, andthose blasts had been grenades she’d thrown at the front gate.

 

Attacking the Knighthawk Foundry was, of course, absolutely suicidal. We all knew this, but we were also desperate, low on resources, and being hunted by Jonathan Phaedrus himself.Knighthawk refused to deal with us, and had gone completely silent to our requests.

 

Our choices had been to try to take on Prof unequipped, or to come here and see what we could steal. This seemed the better of two bad options.

 

“Cody?” I asked.

 

“She’s doing fine, lad,” he said over the crackling radio line. “It looks just like that video. The place released drones right after the explosions happened.”

 

“Pick off what you can,” I said.

 

“Roger.”

 

“Mizzy?” I said. “You’re up.”

 

“Groovy.”

 

I hesitated. “Groovy? Is that some kind of code word?”

 

“You don’t know . . . Sparks, David, you can be a real square sometimes.” Her words were punctuated by another series of explosions, larger this time. My tree shook from the shock waves.

 

I didn’t need my scope to see the smoke rising from my right, along the castle’s flank. Soon after the blast, a group of basketball-sized drones--sleek and metallic, with propellers on top--popped from windows and flew toward the smoke. Larger machines rolled out of shadowed alcoves; spindly and about as tall as a person, each had a gun arm on the top and moved on tracks instead of wheels.

 

I followed these with my scope as they started firing into the woods where Mizzy had planted flares in buckets to give off heat signatures. Remotely firing machine guns enhanced the illusion that a large squad of soldiers was out there hiding. We kept all the shots aimed high. We didn’t want Abraham in the crossfire when it was his turn to move.

 

The Knighthawk defense played out exactly as we’d been shown on the video from our informant. Nobody had ever successfully breached the place, but many had tried. One group, a reckless paramilitary force out of Nashville, had taken videos, and we’d managed to get copies. Best we could guess, most of the time all of those drones were inside patrolling the hallways. Now, however, they were out fighting.

 

Hopefully that would give us an opening.

 

“All right, Abraham,” I said into the line, “your turn. I’ll cover.”

 

“And off I go,” Abraham said softly. The careful, dark-skinned man rode a thin cable down from his tree, then slipped silently across the forest floor. Though he was thick of arm and neck, Abraham moved with surprising nimbleness as he reached the wall, which was still shadowed in the early-morning light. His tight infiltrationoutfit would mask his heat signature, at least as long as the heat sinks on his belt were functional.

 

His job was to sneak into the Foundry, steal whatever weapons or technology he could find, and get out in under fifteen minutes. We had basic maps from our informant claiming that the labs and factories on the bottom floor of the castle were stuffed with goodies ripe for the plucking.

 

I watched Abraham nervously through my scope--pulling the aim point to the right so an accidental discharge wouldn’t hit him--to make sure no drones spotted him.

 

They didn’t. He used a retractable line to get to the top of the short wall, then another to reach the castle’s roof. He hid beside one of the crenellations while he prepared his next step.

 

“There’s an opening to your right, Abraham,” I said into the line. “One of the drones popped out of a hole beneath the window on that tower.”

 

“Groovy,” Abraham said, though the word sounded particularly odd coming from him, with his smooth French accent.

 

“Please tell me that’s not a real word,” I said, then raised my gun to follow him along as he made for the opening.

 

“Why wouldn’t it be?” Mizzy asked.

 

“It just sounds weird.”

 

“And things we say today don’t? ‘Sparks’? ‘Slontze’?”

 

“Those are normal,” I said. “Not weird at all.” A flying drone passed by, but fortunately my suit was masking my heat signature. That was good, since the wetsuitlike clothing was pretty darn uncomfortable. Though mine wasn’t as bad as Abraham’s; his had a face mask and everything. To a drone I’d have a tiny heat signature, like a squirrel or something. A secretly very, very deadly squirrel.

 

Abraham reached the alcove I’d pointed out. Sparks, that man was good at sneaking. In the moment since I’d looked away, I’d lost him, and had trouble locating him again. He had to have some kind of special forces training.

 

“There’s a door in here, unfortunately,” Abraham said from his alcove. “It must close after the machines exit. I will try to hot-wire my way in.”

 

“Great,” I said. “Megan, you good?”

 

“Alive,” she said, puffing. “For now.”

 

“How many drones can you see?” I asked. “Have they rolled out the larger ones on you yet? Can--”

 

“Little busy, Knees,” she snapped.

 

I settled back, anxiously listening to the gunfire and explosions. I wanted to be out there in the mess, firing and fighting, but that wouldn’t make sense. I wasn’t stealthy like Abraham or . . . well, immortal like Megan. Having an Epic such as her on the team was certainly an advantage. They could handle this. My job as leader was to hang back and make judgment calls.

 

It sucked.

 

Was this how Prof had felt during missions he supervised? He had usually waited it out, leading from behind the scenes. I hadn’t realized how tough that would be. Well, if there was one thing I’d learned in Babilar, it was that I needed to rein in my hotheadedness. I needed to be like . . . half a hothead instead. A hot chin?

 

So I waited as Abraham worked. If he couldn’t get in soon, I’d have to call off the mission. The longer this took, the greater the chances that the mysterious people who ran the Foundry would discover that our “army” was only five people.

 

“Status, Abraham?” I said.

 

“I think I can get this open,” he said. “Just a little longer.”

 

“I don’t . . .” I trailed off. “Wait a sec, what was that?”

 

A low rumbling was coming from nearby. I scanned below me and was surprised to see the mulchy forest floor buckling. Leaves and moss folded back, revealing a metal doorway. Another group of drones flew out of it, zipping past my tree.

 

“Mizzy,” I hissed into my headset. “Other drones are trying to flank your position.”

 

“Bummer,” Mizzy said. She hesitated a moment. “Do you--”

 

“Yes, I know that word. You might need to institute the next phase.” I glanced down at the opening, which was rumbling closed. “Be prepared; it looks like the Foundry has tunnels leading out to the forest. They’ll be able to deploy drones from unexpected positions.”

 

The door below stopped, half shut. I frowned, leaning down to get a better look. It appeared that some dirt and rocks had fallen into one of the door’s gears. Guess that was the problem with hiding your entrance in the middle of a forest.

 

“Abraham,” I said into my headset, excited, “the opening out here jammed open. You could get in this way.”

 

“I think that might be difficult,” he said, and I looked back up to note that a couple of drones had retreated after a barrage of explosions from Mizzy’s side. They hovered near Abraham’s position.

 

“Sparks,” I whispered, then raised my rifle and picked the two machines off with a pair of shots. They fell; we’d come prepared with bullets that fried electronics when they hit. I didn’t know how they worked, but they’d cost basically everything we could scrounge up in trade, including the copter that Cody and Abraham had escaped Newcago in. It was too conspicuous anyway.

 

“Thanks for the assist,” Abraham said as the drones dropped.

 

Beneath me, the gears on the opening scraped against one another, trying to force their way closed. The door moved another inch.

 

“This entrance is going to close any second,” I said. “Get here fast.”

 

“Stealthy is not fast, David,” Abraham said.

 

I glanced at that opening. Newcago was lost to us; Prof had already attacked and ransacked all of our safehouses there. We’d barely gotten Edmund--another of our Epic allies--out to a safe hiding spot.

 

The people of Newcago were terrified. Babilar was little better: few resources to be had, and old minions of Regalia’s were keeping an eye on the place, serving Prof now.

 

If this robbery went bust, we’d be broke. We’d have to set up somewhere off the map and try to rebuild over the next year, which would leave Prof with free rein to rampage. I wasn’t sure what he was up to, why he’d left Babilar so quickly, but it bespoke some kind of plot or plan. Jonathan Phaedrus, now consumed by his powers, wouldn’t be content to sit in a city and rule. He had ambitions.

 

He could be the mostdangerous Epic this world had ever known. My stomach twisted at that thought. I couldn’t justify any more delays.

 

“Cody,” I said. “Can you see and cover Abraham?”

 

“Just a sec,” he said. “Yeah, I got ’im.”

 

“Good,” I said. “Because I’m going in. You have ops.”

 

 

 

 

2

 

 

I slid down my rope and hit the forest floor, crunching dried leaves. Ahead of me, the door to the hole finally started moving again. With a yelp, I dashed toward the opening in the ground and jumped in, skidding a short distance down a shallow ramp as the door closed with a final grinding sound behind me.

 

I was in. Also, likely trapped.

 

So . . . yay?

 

Faint emergency lights running along the walls revealed a sloping tunnel that was rounded at the top like a giant’s throat. The incline wasn’t very steep, so I climbed to my feet and started inching down the slope, gun at my shoulder. I switched my radio, carried at my hip, to a different frequency--protocol for whoever made it into the Foundry, to let me focus. The others would know how to reach me.

 

The dimness made me want to flip on my mobile, which could double as a flashlight, but I restrained myself. Who knew what kind of backdoors the Knighthawk Foundry might have built into the things? In fact, who knew what the phones were truly capable of? They had to be some kind of Epic-derived technology. Phones that worked under any circumstances with signals that couldn’t be intercepted? I’d grown up in a pit underneath Newcago, but even I realized how fantastical that was.

 

I reached the bottom of the incline and flipped on my scope’s night-vision and thermal settings. Sparks, this was an awesome gun. The silent corridor stretched out before me, nothing but smooth metal, floor to ceiling. Considering its length, the tunnel had to lead under the Foundry walls and into the compound; it was probably an access corridor.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Brings the series together
By R. Woods
Let me start by saying that I am a fan of pretty much everything that I have read of Brandon Sanderson. With that said, it took me a while to decide to get this book, because after Firefight, I wasn't quite sure that I wanted to continue the series. However, a friend read it and told me that I would regret it if I didn't read it...and I'm glad I did. Without getting into too much of the details, Calamity does a great job in exploring the relationships between many of the characters introduced already, and some characters new to this novel. What Sanderson adds to the worldbuilding and the storyline through this installment really ties the whole thing together.

One note - I have seen this marketed as a YA novel. I would totally disagree with that assessment. In tone and content, this seems to me more of an adult series that young adults would also enjoy.

0 of 0 people found the following review helpful.
A Fitting End
By All-access Customer
Let's start by stating the obvious: I am a fan of Science Fiction and Fantasy stories. The Reckoners trilogy is a great spin on this genre, and the final book in the series does not disappoint. As with the end of any series, I tend to dislike the book in comparison to the first book. Why? Probably because the story is ending and there are to be no more books.

It has been my experience that the final book in a series will hastily tie up loose ends, making things feel like they are on fast forward. Also, endings are difficult to write well. Being able to finish a story with an ending that satisfies everyone is quite a feat. While Brian Sanderson does have his shortcomings in character depth and development, he does a good job at maintaining the story arc and concluding the series in a satisfactory way.

Other books and/or series you may enjoy if you enjoyed this one include:

Terry Goodkind's "Sword of Truth" series
Brian Sanderson's "The Stormlight Archive" series
Robert Jordan's "Wheel of Time" Series
Patrick Rothfuss "The Kingkiller Chronicle" series
Christopher Paolini "The Inheritance Cycle" series
Anthony Ryan's "Raven Shadow" Series
Ernet Cline's "Ready Player One"
George RR Martin's "Game of Thrones" series

0 of 0 people found the following review helpful.
Supermen, but Arch-villain, not Justice League.
By Judith Grimes
"Calamity" is the third book in "The Reckoners" series, following "Steelheart" and "Firefight". "The Reckoners" series postulates an Earth like our own that has been overshadowed by an astronomical phenomenon that people have called "Calamity". The effect of this is that certain humans have developed super-powers. Unfortunately, this has not turned them into the Justice League. Just the opposite. They've taken over the planet, dividing it into fiefdoms, held according to how powerful their super-power is. And, they rule by fear and ruthlessness. The Reckoners are the human sixth column against the super-beings.

This series has well-developed characters and an intricate plot. It has more twists than a pretzel, and it is sometimes hard to figure out who the bad guys are. It is a delightful read, but really needs to be read in order. If this is the first book you have encountered in "The Reckoners" series, look up "Steelheart" and purchase it first.

Given that, I highly recommend this book. It is not suitable for young readers due to violence, but I'd consider letting teens over 14 years old read it.

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