Minggu, 16 Maret 2014

~~ Download Ebook And Then There Were None : A mystery play script in three acts, by Agatha Christie

Download Ebook And Then There Were None : A mystery play script in three acts, by Agatha Christie

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And Then There Were None : A mystery play script in three acts, by Agatha Christie

And Then There Were None : A mystery play script in three acts, by Agatha Christie



And Then There Were None : A mystery play script in three acts, by Agatha Christie

Download Ebook And Then There Were None : A mystery play script in three acts, by Agatha Christie

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And Then There Were None : A mystery play script in three acts, by Agatha Christie

Mystery / 8m, 3f / Int. In this superlative mystery comedy statuettes of little soldier boys on the mantel of a house on an island off the coast of Devon fall to the floor and break one by one as those in the house succumb to a diabolical avenger. A nursery rhyme tells how each of the ten "soldiers" met his death until there were none. Eight guests who have never met each other or their apparently absent host and hostess are lured to the island and, along with the two house servants, marooned. A mysterious voice accuses each of having gotten away with murder and then one drops dead---poisoned. One down and nine to go! The excitement never lets up in this ideal play for schools, colleges and little theatres.

  • Sales Rank: #56733 in Books
  • Brand: Brand: Samuel French, Inc.
  • Published on: 2010-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .20" w x 5.00" l, .23 pounds
  • Binding: Paperback
  • 96 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 4 people found the following review helpful.
Frankly, a captivating idea not fully realized as a story
By A Customer
Agatha Christie's 1939 story idea captures the imagination. Ten strangers who each, in his or her own way, have gotten away with murder gather by invitation at an isolated mansion. Then their unknown host systematically and mockingly murders them one by one. The idea was adapted into a film in 1945, 1965, 1974, and 1989. Reportedly, there was a 1959 TV adaptation. Variants of the plot are perennials on one TV show or another, from Harry O to Quincy to Remington Steele. As someone who has read all of Christie's work and admires it as running the gamut from diverting to entertaining to inspiring, I had high expectations. Unfortunately, neither Christie nor the filmmakers succeeded in bringing this brilliant but limiting idea to life in a truly fulfilling story.
Occasionally, a mystery plot can be so ingenious and powerful that it can be a satisfying story in itself. Most often, the best that is achieved by plot alone is an amusing but arid puzzle mystery. For the depth and richness to engage, a novel usually needs to develop to some meaningful degree the characters, their backgrounds, their interaction, their dialogue, the setting, the tone, and any larger themes.
The premise of Christie's book is fascinating. As to plot, the book is clever in conception and careful in execution. Compared to the films, the book's assortment of past crimes and depictions of the characters' attitudes toward them are more varied, subtle, and interesting. The book does the best job of presenting the characters in ways in which the reader could actually see them as the murderous host. It is the least sentimental, treating all of them vaguely and suspiciously. This is not necessarily enough to make them convincing killers, but at least it maintains more of a sense of menace, suspense, and purpose than the film versions. The book does the best job of explaining why and how the host carried out the scheme.
Yet, even the plot has definite shortcomings. Once the imaginative premise is established, the story becomes thin and formulaic. There is little plot or character development. The characters in the book engage in less deductive reasoning and survival techniques than in the 1945 film. The only real plot twist creates a major logical problem, which the book tries to overcome by implausibly suggesting that the ploy would either trick or "rattle" the murderer. The guests' murders are designed to follow the nursery rhyme and little more. Aside from some cosmetic frills, the poisoning, stabbing, shooting, and head-bashing that go on in the book show, in themselves, no special cunning, skill, strategic advantage, or plausibility. The killer strikes crudely without detection too effortlessly.
The storytelling seems flat, frigid, and, at times, slow-paced. There is no lead character to care about. Characters are described largely by catch-phrases (the judge's "tortoise-like" appearance; Lombard's "wolfish smile") or hardly at all (Marston, the Rogerses). Their backgrounds and motives are sketched in summary fashion. The past crimes vary widely in originality, depth, and genuineness. Some -- especially Claythorne's and the general's -- are more subtle, interesting, and powerful than others. Some, like Blore's, Dr. Armstrong's, and Lombard's, are utterly trite, unexplored, and ineffective.
However, the book's and films' worst failing is that they have nothing serious to say about the powerful themes that are at the very heart of the story. The story is inherently an observation of human nature in a desperate situation. How do the characters behave? How do they try to reason? How do they try to survive? Also by its very nature -- as the book's last pages acknowledge -- this story is a morality play. How is each of the characters a "criminal"? How is each "beyond the law"? Does each get "justice"? Is justice the point, or simply a "lust" to torture and kill? Is the story about breaking the law or enforcing it, about mistakes or abuses in pursuing justice? None of this is meaningfully addressed.
The films (which I have now seen thanks to Amazon.com and hope to separately review elsewhere on this site), are worse in some respects and better in some respects than the book. Each is worth seeing as an attempt to bring to life a compelling but at the same time confining plot concept. Each, like the book, fails to fully realize that idea as a story.
Briefly, the 1945 film develops the plot better in some ways than the book and is more entertaining. The cast is outstanding, except Mischa Auer. But the film presents the general and his past crime ineffectively and changes others. Its attempts to make the characters entertaining come at the expense of their plausibility as villains and of the story's seriousness. The climactic scene revealing the host's identity, means, and motives is short, sedate, and unsatisfying.
The 1965 film is enjoyable and energetic. But it is not as tightly and richly told, nor as well-acted, as the 1945 version, despite good casting. As in 1945, attempts to make characters comical or appealing sap the suspense. The final scene has more explanation than in 1945, but remains thin and undramatic.
The 1974 film takes a different tone than its predecessors. It captures more of a sense of fear, dread, and suspense. Yet, overall, the movie is less substantial and entertaining than the prior versions. The storytelling is so spare and unartful that it is sterile and uninvolving. Other than Stephane Audran, the outstanding cast is unable to breathe life into the characters. The final scene is less effective than before.
Everything about the 1989 version seems low-budget, from the cast to the script to the set to the production values. The casting of the doctor is even worse than Frank Stallone as Lombard. And not until Donald Pleasance's final moments on screen does he play his character with any coherence. But Herbert Lom is excellent as the general. And it is left to this film to finally present a dramatic end scene.

0 of 1 people found the following review helpful.
Damme Christie's best work ever!!! You won't put it down!!!
By hennero@hotmail.com
I must have spent every afternoon last summer,waiting for this book to come in by mail! When I finally got it,I never let it out of my sight!Since then it has become my favorite novel! I always recommend it! My next quest was to find all the movie versions based on the novel. It was made into a movie 4 times,and I have all the versions,it took me 9 months to get them. It was made into a movie in 1945,1965,1975,and 1989! I paid 90 dollars for the last one(thank you videoflicks)!The one that took me the longest to get was the 1975 one,because it was out of print,and not very many copies are left in the world!But the book is so suspenseful!I never would have guessed the murderer's identity!To tell the truth,I didn't know who to suspect!The only real one that I would have guessed is ..... like i'm goint to tell you! the only thing bad about the book,was that I didn't want it to end,and neither will you! Happy Reading!!

7 of 8 people found the following review helpful.
Ten Little Indians: Another Great Literary Classic
By Adam "DingleBerry"
Ten Little Indians is a classic murder mystery novel about ten people caught in a world of paranoia and suspense! Written by world renowned author Agatha Christie, it is also known as And Then There Were None. Ten Little Indians whisks you away to the desolate Indian Island where a group of ten people have all been invited for recreation, relaxation, and a week of fun. However, the fun stops after dinner when a chilling record is played, charging all ten of being involved in murder! After that, one by one, the guests are murdered in the manner described in a child's nursery rhyme. Wits pit against wits as the victims try to find the murderer, and more paranoia ensues when they find out it's one of them! Finally, the last person dies, and then there were none. This classic is full of surprises and keeps you guessing until the end. Another wonderful book by mystery novelist, Agatha Christie.

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