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Fences, by August Wilson
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Drama / 5m, 2f / 1 Set Winner of the New York Drama Critic's and Tony Awards as well as the Pulitzer Prize, this sensational drama starred James Earl Jones as Troy Maxson, a former star of the Negro baseball leagues who now works as a garbage man in 1957 Pittsburgh. Excluded as a Negro from the major leagues during his prime, Troy's bitterness takes it's toll on his relationships with both his wife and son who now wants his own chance to play. "One of the great characters in American drama." - The New York Post "One of the richest experiences I have ever had in the theatre. I wasn't just moved. I was transfixed." - The New York Post "A blockbuster and a major American play." - New York Daily News
- Sales Rank: #240511 in Books
- Brand: Brand: Samuel French, Inc.
- Published on: 2010-02-05
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .21" w x 5.00" l, .23 pounds
- Binding: Paperback
- 100 pages
- Used Book in Good Condition
Review
"The strongest, most passionate American dramatic writing since Tennessee Williams."—The New York Post
"Fences leaves no doubt that Mr. Wilson is a major writer, combining a poet's ear for vernacular with a robust sense of humor, a sure sense for crackling dramatic incident, and a passionate commitment to a great subject."—The New York Times
"A blockbuster piece of theater, a major American play."—New York Daily News
"An eloquent play... a comedy-drama that is well-nigh flawless."—New York Magazine
"A moving story line and a hero almost Shakespearian in contour."—The Wall Street Journal
"A work of tremendous impact that summons up gratitude for the beauty of its language, the truth of its character, the power of its portrayals."—Chicago Tribune
About the Author
August Wilson is the most influential and successful African American playwright writing today. He is the two-time Pulitzer Prize-winning author of Fences, The Piano Lesson, King Hedley II, Ma Rainy's Black Bottom, Joe Turner's Come and Gone, Seven Guitars, Two Trains Running, Jitney and Radio Golf. His plays have been produced all over the world.
Most helpful customer reviews
32 of 35 people found the following review helpful.
There Will Be Better Days
By A Customer
Fences, by August Wlison, is a play that potrays the many roles of an African-American family that lives during a difficult period of time when Africans were being segagrated. In the play, Rose Maxosn, a house wife in her early-fortys, has a difficult time handling her family. She always finds herself battling between the decisions that her husband, Troy Maxson, makes and with what she thinks is right. Throughout the play, life for Rose was a graet challenge, but even though the pain was great, she always holds her head up high and waits for better days. This play teaches us that being able to forgive and go on with your life potrays a lot of who you really are inside. When this script was placed in my hands, my head ached to the thought of having to read another boring book. To my surprise, when it was read out loud with great feeling, my heart jumped with excitment and joy. After I had gotten a sense of the characters feelings and language, I was unable to put it down. This book reached out to me like no other book has ever done before. The way that Rose was able to forgive so many inappropiate acts is very astonishing to me. I franckly admire Rose for being able to be a strong women and for sticking to what she says. I wish that everyone that reads this script is able to take a bit of sweetness from Rose.
15 of 16 people found the following review helpful.
August Wilson's, "Fences"
By Summer B.
"Fences," by August Wilson, is a wonderful mix of drama and comedy that emphasizes the tribulations and confusions people were going through, during the changing sixties. In this two-act play, Troy Maxson is a middle-aged African American who is struggling to raise a son, keep a family together and deal with the new desires and needs everybody is beginning to feel as social standards slowly begin to change. As a child growing up, Troy did not have a great father figure, and he was not able to persue his dream of becoming a great baseball player as he grew older, because of racial limitations of the time period. Now as things begin to change for the better, he is still afraid of these limitations and overcoming them. His son wants to play football, but Troy doesn't want him to. He wants him to get a job and become good with his hands. As he refuses to let his son play, he pushes him away. He begins to push his wife away too, because he feels he needs his own space and has new desires. This play becomes a struggle for Troy to try to pass on morals he thinks are right and to be a proud man in a time where hatred is strong and boundaries are being broken. Troy Maxson is having to change his ways according to change and he grew up doing what he could to survive, so changing after so many years of living a certain way to survive is harder than anything he has had to deal with before. Will he come out of it successful?
A wonderful blend of characters, hysterical, beautiful, bold, courageous and passionate; this play is sure to win your favor.
28 of 34 people found the following review helpful.
Real Characters in a Real Situation
By Kevin L. Nenstiel
From the opening scene we as audience members are dropped whole into the world of the characters in August Wilson's classic play. The dialect of the characters, the hints of jargon, and the references that aren't explained but simply ARE allow us to be immersed in his setting. This back porch, with its visible foibles (exposed icebox, half-built fence) make Troy Maxson, his family, and his friends into new beings that become larger than their own lives--and very like our own lives.
There is nothing in this play we don't all have to face from day to day. Work, marriage, family disputes, mental illness, adultery, violence, and more events populate this play as surely as the characters do. Yet the clear, Sophoclean way they are addressed makes them matter to us in an immediate, powerful way.
The play is broken up into two acts, comprising eleven scenes. The first ten take place over a span of a few months, while the final provides an epilogue some years later. Some modern theatre purists will balk at this many divisions, and yet the way Wilson makes them pop will let an audience that loves theatre to both enjoy and understand what's happening to the characters.
This is a difficult piece of theatrical literature, yet one of the most important and compelling of the last twenty years. For all its faluts (slipshod editing, internal contradictions, great length) it remains a valuable play, and one that hasn't received nearly the acclaim it deserves.
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