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One Flew over the Cuckoo's Nest : A Play in Two Acts, by Dale Wasserman
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Comedy Drama / 13m, 4f / Int. w. inset. Kirk Douglas played on Broadway as a charming rogue who contrives to serve a short sentence in an airy mental institution rather in a prison. This, he learns, was a mistake. He clashes with the head nurse, a fierce artinet. Quickly, he takes over the yard and accomplishes what the medical profession has been unable to do for twelve years; he makes a presumed deaf and dumb Indian talk. He leads others out of introversion, stages a revolt so that they can see the world series on television, and arranges a rollicking midnight party with liquor and chippies. For one offense, the head nurse has him submit to shock treatment. The party is too horrid for her and she forces him to submit to a final correction a frontal lobotomy. Winner of the 2001 Outer Critics Circle Award for Outstanding Revival. "Cuckoo is captivating." - the New York Post "Scarifying and powerful." - the New York Times
- Sales Rank: #64864 in Books
- Brand: Brand: Samuel French, Inc.
- Published on: 2010-01-07
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .18" w x 5.00" l, .21 pounds
- Binding: Paperback
- 88 pages
- Used Book in Good Condition
About the Author
Ne en 1935 dans l Oregon, Ken Kesey finance ses etudes a la Stanford University en se portant volontaire pour un programme d experimentation de drogues, a l hopital psychiatrique de la region ou il est bientot embauche comme infi rmier de nuit. Une experience sous acides qui lui inspire son premier roman, Vol au-dessus d un nid de coucou porte a l ecran en 1975 par Milo Forman. Figure incontournable du mouvement psychedelique, Ken Kesey publie en 1963 Et quelquefois j ai comme une grande idee (Editions Monsieur Toussaint Louverture).
Most helpful customer reviews
176 of 194 people found the following review helpful.
Fabulous and Inspirational
By Hassan Galadari
This novel officially ends the 4-book reading that I had set forth to get my teeth into this summer. I must say, that it truly stands out from anything I had read before it, be it this summer or anytime for that matter. Ken Kesey weaves a tale that is smart, witty, sometimes insane and ultimately tragic. Though the setting is mainly in a mental asylum somewhere in Oregon, this story has a universal appeal to it that can be felt by anyone, anwhere in this world.
R.P. McMurphy is a sane man that, due to a brush with the law, opts for being committed in a mental asylum rather than be incarcerated with hard labor. Upon his entry in the secluded world of the asylum, he strips all the barriers formed and starts laying his own rules, in his own way. This leads to problems with the head honcho of the place. A big, gruesome, and menacingly evil Nurse Ratched, dubbed Big Nurse for her huge frame and even huger bosom. The rollercoaster, that patient McMurphy takes the inmates through, finally leads them to realize the ultimate goal. That man, no matter the situation, can always hold his destiny in his hands. This knowledge, achieved in the end, does not come without a price.
Set in the late 60s, early 70s, One Flew Over the Cuckoo's Nest is a gem of modern literary works that came out at the time. It brought out a wonderfully-made movie, starring Jack Nicholson as McMurphy. The role defined him as an actor to be reckoned with. Though the mavie is seen through the eyes of McMurphy, the novel's perspective looks at things through the eyes of a big half white, half Native American inmate, that acts deaf and dumb in front of the asylum's staff. The narrative, because it is through the eyes of a mental patient, can at times be truly insane. That's where the fun really lies. Kesey works his magic in making us feel the insanity and despair of the patients. He can be funny, in a laugh out loud kind of fashion. He can also be tragic, when you realize what the inmates go through each passing day. The novel is a definitive treatment of the age old abode of individual versus establishment.
This is a very human story, with a lot of suffering and exploration of man's insecurities. It has become a classic that some schools have even recommended as part of their curriculum. Through all the ups and downs of the story, I was, forever inspired and ultimately liberated in mind to finally realize that you can take away a man's life, but never his freedom. The book receives my highest recommendation.
41 of 43 people found the following review helpful.
Great Book, Bad Kindle Edition
By Scott Bundy
This is a great book and I'm sure you can read the other reviews for insight into why it is so great, but the Kindle edition isn't very good. It's like they ran the book through a cheap OCR and just threw it at Amazon. There are lots of scanning errors. 'He' often comes thorough as 'I Ie' and the letter 'c' and 'e' appear to be interchangeable in multiple places. Avoid the Kindle edition.
63 of 70 people found the following review helpful.
Simply Divine
By Jeffrey Leach
Counterculture icon and author Ken Kesey (1935-2001) wrote his first novel, "One Flew Over the Cuckoo's Nest," in 1960. The book was a response to the author's experiences testing mind-altering drugs for the federal government and his later tenure as a nurse's aide in the same facility. In the introduction to the novel, Robert Faggen places this seminal novel in its proper context, arguing that this book incorporates several themes of the 1950's: the Cold War, the plight of the Native Americans, the reliance on psychiatry as a cure all for social problems, and the vestigial remnants of McCarthyism. Even if you could care less about how Kesey's book fits into American cultural history, you could hardly fail to miss the overarching theme of his novel: the tensions between the individual and the state, between those trapped in an industrial society and those who wish to live in freedom. There is a film version of this book starring Jack Nicholson and Louise Fletcher that adequately captures Kesey's stark visions.
The author's tale takes place in a mental asylum at an unknown time. Perhaps this is because time has little importance to the inmates in the facility. The people in this particular ward of the hospital fall into categories of `acute' or `chronic,' depending on whether they have hope of recovery or are irrevocably ill. The days are full of drudgery, an endless round of medications interspersed with playing cards against the background of canned polka music. Everyday the acute patients meet for group therapy that really doubles as a McCarythyesque tattling session. The name of the game is acquiescence to the myriad rules and regulations of the institution. Those inmates who violate the rules earn a trip to the disturbed ward or a quick trip to the electroshock chamber. Repeated disobedience could lead to a lobotomy. Predictably, fear is the perpetual state in which most of the patients live. But with the appearance of a nonconformist named Randle McMurphy, fear starts to give way to a burgeoning hope that life will become better in this hospital.
The narrator of this story is Chief Bromden, a mixed blood Indian who is a patient in the ward. This man spends his days mopping and sweeping the floors while hearing and seeing everything that goes on around him. The Chief fears that something called the `Combine' controls the world. For him, the `Combine' is the machinery that fills the walls and floors of the hospital, constantly spying on and controlling the men in the ward. He believes that those who work in the asylum are actually full of cogs and gears, are part of this giant, controlling machine. Moreover, the staff and the patients believe that Bromden is a deaf mute. He isn't, but Kesey's choice of this Indian as the narrator of unfolding events is a stroke of brilliance. Since no one thinks the Chief can hear or speak, he becomes privy to every activity in the institution. The staff speaks freely around him because they feel they have nothing to worry about. His cleaning duties allow him full access to every area of the floor, including the room where the staff meets to discuss other inmates. You cannot help but like Bromden, and you quickly question whether his observations are truly the ramblings of a madman.
The central figure in Bromden's `Combine' theory is Nurse Ratched, sometimes referred to as `Big Nurse.' This seemingly grandmotherly woman personifies the Chief's fear of control and cold aloofness. Ratched runs the floor from her little glass booth, her hands on the levers of the machinery that controls the lights, the music, the group therapy sessions, and even most of the doctors. Her voice alone controls the destiny of the inmates. Ratched enforces the rules and regulations, and she decides who receives punishment or release. Big Nurse encourages stool pigeons and belittles the patients with implied threats and stony glares, often masked under an ersatz exterior of patience and cheerfulness. With the arrival of McMurphy, Ratched prepares for a battle of wills that by extension is a war between the individual and the state.
Randle McMurphy is a boisterous, tattooed, redheaded troublemaker ducking a sentence on a work farm by acting crazy. Right from the start, McMurphy undermines the rules and regulations of the hospital. He gambles for money, wonders the hall wearing nothing but towels, sings, and challenges Ratched's authority by going to the floor doctor to receive rule waivers. But far, far worse is McMurphy's effect on the other inmates in the institution. His breezy spirit and tenaciousness encourages others to demand changes in the daily routine. Randle is a subversive of the worst type, and Ratched will do anything in her power to slap down this upstart to her fascistic rule. The end of the story seems to mark a significant defeat for the concept of individualism, but if one reads closely it is apparent Kesey keeps the dream of freedom alive however ephemeral it may be.
Although I disagree strongly with Kesey's career as a counterculture mainstay, I loved this book. Everything about it is brilliant, from the characterization to the tight writing style. The Penguin edition even includes pencil sketches of people Kesey drew during his work as a nurse's aide. These haunting sketches add a special dimension to the text. Ultimately, the novel works because of its messages of freedom versus entrapment and the dangers of both conformity and nonconformity to the human soul. I recommend you run, not walk, to get this book.
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