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Noises Off, by Michael Frayn
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Farce / 5m, 4f / 2 Int. Called the funniest farce ever written, NOISES OFF returned to Broadway with Patti LuPone and Peter Gallagher and a manic menagerie that sent reviewers searching for new accolades as a cast of itinerant actors rehearsing a flop called NOTHING'S ON. "The most dexterously realized comedy ever about putting on a comedy. A spectacularly funny, peerless backstage farce. This dizzy, well-known romp is festival of delirium." - The New York Times "Bumper car brilliance...If laughter is indeed the best medicine, NOISES OFF is worth its weight in Cipro." - New York Daily News "The funniest farce ever written! Never before has side-splitting taken on a meaning dangerously close to the non-metaphorically medical." - New York Post "As side-splitting a farce as I have seen. Ever? Ever." - New York Magazine
- Sales Rank: #81484 in Books
- Brand: Brand: Samuel French, Inc.
- Published on: 2010-02-10
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .39" w x 5.00" l, .45 pounds
- Binding: Paperback
- 184 pages
- Used Book in Good Condition
From Library Journal
This extremely popular play-within-a-play by Tony Award winner Frayn has been newly revised for its Broadway revival. Because of its complexity, it is a demanding read. Acts 1 and 2 are actually the same act performed at different times in different theaters: the first presents the final night of rehearsals for Nothing's On, a sex farce, in which the director, seated in the audience, shouts direction to the actor on stage; the second is the same act but seen from backstage during a touring performance less than a month later. Act 2 is formatted in double columns, allowing the reader to follow the actor in character on stage and the same actor out of character off stage and the folly that he or she is involved with behind the scenes. Act 3 comprises the same cast performing another play, Noises On. Complex it is, and as clever and as concise as something this multileveled can be. Written by a man with a vision, this is recommended for academic and large public libraries. Elizabeth Stifter, Brooklyn, NY
Copyright 2002 Cahners Business Information, Inc.
Review
“Written by a man with a vision... Recommended.”—"Library Journal
"“The funniest play written in my lifetime”—Frank Rich, "The New York Times
"“Frayn’s construct is based on the principle that if farce involves watching the wheels come off a well-oiled machine, then nothing could be funnier than seeing the wheels fall off a farce itself. Pure comedy gold.”—"The Guardian""" "Noises Off"
"Winner of the Evening Standard, the Olivier Award for Best Comedy and the New York Drama Desk Award."
"Written by a man with a vision... Recommended."--"Library Journal
""The funniest play written in my lifetime"--Frank Rich, "The New York Times
""Frayn's construct is based on the principle that if farce involves watching the wheels come off a well-oiled machine, then nothing could be funnier than seeing the wheels fall off a farce itself. Pure comedy gold."--"The Guardian""" "Noises Off"
"Winner of the Evening Standard, the Olivier Award for Best Comedy and the New York Drama Desk Award."
From the Inside Flap
Noises Off," the classic farce by the Tony Award--winning author of "Copenhagen, is not one play but two: simultaneously a traditional sex farce, "Nothing On, and the backstage "drama" that develops during "Nothing On's final rehearsal and tour. The two begin to interlock as the characters make their exits from "Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.
Most helpful customer reviews
23 of 24 people found the following review helpful.
Absolutely hilarious!
By Kristin S.
It's such a shame that both the script and the movie are out of print. "Noises Off!" is the funniest comedy I have ever seen or read.
In "Noises Off!" a group of actors is preparing to stage a production of the smash farce "Nothing On." This is part of why this play is so funny: The play that the actors are butchering is hilarious in itself. All of the actors and stage hands are inept in their own unique way. They forget lines and stage directions, lose contact lenses and deal with a set that won't work right. In each act, at least one actor has it out for another. Flowers, bottles of alcohol and entirely too many sardines create havoc. Frayn reaches supreme physical and verbal comedy.
If you've seen it on stage, you know how funny it is (and how difficult to perform). But, the script contains hilarious "bios" of the actors that presumably appear in the playbill. And the side-by-side scripts of the second act (lines and directions for what is happening on stage and back stage) are really funny. This play is the funniest thing I've read!
Note about the movie: Unlike the movie, the play is not set in the U.S. Consequently, place names and terminology are sometimes confusing. And, the play ends differently than the movie.
5 of 5 people found the following review helpful.
It's About Doors and Sardines, Bags and Boxes, and Sheets.
By tvtv3
NOISES OFF is the hilarious play within a play about a group of actors performing a touring edition of a British farce entitled NOTHING ON. The reader (and performers and audience members for that matter) are only allowed to see NOTHING ON from the first act. The first time they see it, it is the night of the dress rehearsal. The next time they see the act it is from behind the stage several weeks into the company's tour. The final act of the show is once again a performance of the first act of NOTHING ON, but seen from the front of the stage several weeks later. The hilarity involved ensues from the interactions of the performers and their relationships with each other. NOISES OFF displays that as funny as a play might be from the audience, sometimes it pares in comparison to the hilarity ensuing behind the scenes.
4 of 4 people found the following review helpful.
When Carol Burnett goes on stage in Cleveland...
By Jeff Pearlman
...I lose my mind with laughter. Most of the lucky minority of comedy fans who have discovered "Noises Off" probably have other favorite scenes. One bored Friday in the late '80's I scanned the movie reviews and was amazed that this movie, with its flawless cast, was playing. I hadn't seen one TV ad or movie trailer.
The film shows the insanity and eccentricities of the cast, crew, and director of a farce on its way to Broadway. The first half shows the dress rehearsal, which also shows us how the play is supposed to go. Next we see a feuding cast during a Miami Beach matineee, this time from backstage. By Cleveland all hell has broken loose. Will they pull themselves together by the Broadway opening? I'm not saying.
Watching this now (2008-2010), it's hard not to feel sad about the early losses of John Ritter and Christopher Reeve, with Denholm Elliott gone as well. Reeve, Ritter, and Burnett are the most spectacular of one of the best ensembles I've ever seen. Caine is the sardonic director, Marilu Henner is the upbeat cast cheerleader, Nicolette Sheridan the cast ditz (though she gets her lines right). Special mention to Julie Hagerty and Mark Linn-Baker as crew members running themselves ragged trying in vain to keep things together.
This is extra swell if you've ever been involved with theater at any level. It aspires to take everything that usually goes wrong with almost any production and shifts it into super-overdrive. I hope the cast and crew of this film had as much fun making this as I had watching it!
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